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The Museo Etnografico Tiranese (MET) is an ethnographic museum and located nearby the Basilica Madonna di Tirano in an 18th-century Palazzo, the Casa del Penitenziere (Penitent's House). The museum of Palazzo Salis in the old town of Tirano is an example of the use of trompe l'oeil to create the illusion of architectural features. [5]
The collection of the Museo Etnografico Tiranese is located since 1990 in the Casa del Penitenziere (Penitent's House), an 18th-century Palazzo nearby the Basilica Madonna di Tirano. Until then it was housed in the ground floor of the Palazzo San Michele, located as well at the square of the basilica.
From then on, the Piccolomini lost interest in the altar, which has remained incomplete ever since. At the end of the 18th century, the statue of Madonna and Child was placed in the altar's central niche. That statue was believed, until recently, to be the work of the young Jacopo della Quercia, but critics now attribute it to Giovanni di Cecco ...
Madonna di Tirano: 29 September 1690: Basilica of Tirano: ... Madonna di Constantinopoli 23 May 2010 Cellole: Pope Benedict XVI [bb] Madonna della Consolazione [178]
The Christ-child has his right hand raised to bless the worshipper/viewer before the altar. Both the Virgin Mary and Christ-child look downward, to acknowledge any viewers kneeling in prayer before the altar. [11] Additionally, Mary is dressed in a rich blue robe, which was made using ultramarine, a luxury pigment during this time period. [14]
The main altar is enclosed by a wooden choir made of walnut and olive briar, while at the back there is a marble throne where the painting of the Madonna di Montevergine was placed, later replaced by a crucifix without nails: the frame that previously housed the painting it is surrounded by two marble angels who seem to support it; the altar is ...
The work was a large one, comparable only to Cimabue's Santa Trinita Maestà or Duccio di Buoninsegna's Rucellai Madonna. It has been speculated that the marble frame was sized according to a pre-existing painting, which was later replaced by Fra Angelico's, or that the size was inspired by that of the statues in Orsanmichele niches. [1]
The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.