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Roland David Smith was born on March 9, 1906, in Decatur, Indiana and moved to Paulding, Ohio in 1921, where he attended high school. His mother was a school teacher and a devout Methodist; his father was a telephone engineer and part-time inventor, who fostered a reverence for machinery in Smith.
"The Molecular Gaze: Art in the Genetic Age," Suzanne Anker & Dorothy Nelkin, Cold Spring Harbor Laboratory Press, 2003 "City Art: New York's Percent For Art Program," Eleanor Heartney, Merrell, 2005 "The Downtown Book: The New York Art Scene, 1974-1984," Marvin J. Taylor, Fales Library, Austin Museum of Art, Princeton University Press, 2006
In 1955 and 1956, George David Yater of the Cape Cod School of Art worked as the executive director of the Sarasota Art Association. [ 6 ] The association's philosophy during the 1960s, stated that “while the gallery is important to display the works of local artists, one-man shows and traveling exhibitions, there is a social aspect of the ...
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The artist died in a car accident on May 23, 1965, soon after the completion of Cubi XXVIII, which may or may not have been the last sculpture he intended to create in this series. The Cubis are among Smith's final experiments in his progression toward a more simplified, abstract form of expression.
The Gulfcoast Wonder & Imagination Zone, referred to as G.WIZ or GWIZ, was a science museum located in Sarasota, Florida neighboring the Sarasota Bay. The museum was in operation from August 2000 to September 2012. The museum was home to the Blivas Science & Technology Center. [3]
Launched to help unite a community during the COVID-19 pandemic, an artist’s project moves to a new location with the same mission. Sarasota’s Free Little Art Gallery reopens under new ...
But the theme is even longer: long as the genetical persistance of human memory. As announced by the prophet Isaiah—the Saviour contained in God's head from which one sees for the first time in the iconographic history his arms repeating the molecular structures of Crick and Watson and lifting Christ's dead body so as to resuscitate him in ...