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AI-based images have become more commonplace in art markets and search engines because AI-based text-to-image systems are trained from pre-existing artistic images, sometimes without the original artist's consent, allowing the software to mimic specific artists' styles.
Outlaw Star (星方武侠アウトロースター, Seihō Bukyō Autorō Sutā, lit."Starward Warrior Knight Outlaw Star") is a Japanese media mix primarily consisting of an anime television series produced by Sunrise (now a division of Bandai Namco Filmworks) and a corresponding seinen manga series written and illustrated by Takehiko Itō.
A.I.C.O. -Incarnation-is a Japanese science fiction original net animation (ONA) series produced by Bones.The series premiered worldwide on Netflix in March 2018. A manga adaptation by Hiroaki Michiaki was serialized in Kodansha's Monthly Shōnen Sirius from November 2017 to July 2019, with its chapters collected in three tankōbon volumes, and has been licensed for English release in North ...
Video Girl Ai, known in Japan as simply Video Girl (電影少女, Den'ei Shōjo), is a Japanese manga series written and illustrated by Masakazu Katsura. It was serialized in Shueisha 's shōnen manga magazine Weekly Shōnen Jump from December 1989 to April 1992.
The anime was broadcast on Fuji TV in 2002. [4] A second season titled Ai Yori Aoshi: Enishi (藍より青し ～縁～) was set two years later and aired in 2003. [5] There are 37 episodes total, counting an alternate-continuity Christmas special. The anime was released in North America by Geneon and the manga was released in English by Tokyopop.
Joseph Tetsuro Bizinger (born 28 September 1994), known online as The Anime Man, as well as his stage name Ikurru Kamijou (神城 維来, Kamijō Ikurru [6]), is a Japanese-Australian YouTuber, voice actor, songwriter, and podcaster.
Kizuna AI (Japanese: キズナアイ, Hepburn: Kizuna Ai) is a Japanese virtual YouTuber (VTuber) and fictional character currently part of Kizuna AI Inc., a subsidiary of digital entertainment company Activ8.
The work is divided into three sections: "Multiplanar Image", "The Exploded View", and "Girl Computerized". [1] Lamarre takes a perspective on Japanese animation largely separated from cultural analysis, which the animation scholar Susan J. Napier saw as standing in direct contrast to a bias among Western audiences to view all foreign media as inherently reflective of its culture of origin. [2]