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Tony Greene (1955, San Francisco, CA - 1990, Los Angeles, CA) was a visual artist whose work combines photographic imagery with an overlay of thickly applied decorative patterns or calligraphic letterforms.
Gilmore purchased four abandoned historic buildings: the Continental, the Hellman, the San Fernando, and the Farmers and Merchants National Bank—all of which are located in Downtown Los Angeles and collectively renamed by Gilmore and Perrone as the “Old Bank District.” [2] Gilmore was the first developer to utilize the newly minted Adaptive Reuse Ordinance of 1999, which enabled him to ...
ICM Partners was a talent and literary agency with offices in Los Angeles, New York City, Washington, D.C., and London. [1] The company represented clients in the fields of motion pictures, television, music, publishing, live performance, branded entertainment and new media.
And 82% of companies stated that offering nonqualified deferred compensation plans, typically targeting employees earning $150,000 and above, has had a positive impact as well, Greene said.
One night in 1986—before current members Tom Dumont, Tony Kanal, and Adrian Young were in the band—No Doubt had finished playing a backyard gig to punks, mods, skinheads, and other degenerates ...
By the late 1960s, Ferritto had moved to Los Angeles where he was associated with a group of Cleveland mobsters, including Julius Petro. In the forties, Petro avoided a death sentence on a retrial in a murder case. Ferritto and Petro were associates of Jimmy Fratianno, who was closely associated with the Los Angeles crime family. Likewise ...
The 12,600-square-foot (1,170 m 2) Tuscan-style mansion was designed by architect Robert D. Farquhar in 1937, [1] [2] [3] and was the largest house in Los Angeles when it was built. [1] It has two stories, six bedrooms and two staff bedrooms, seven full bathrooms and five half-bathrooms, a tennis court, a pool house, a swimming pool, a theatre ...
Hats off to the Geffen Playhouse for pulling off with exquisite panache a most difficult double-header in “The Inheritance,” Matthew López's two-part, Tony-winning gay drama.