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Formed in Colchester, Essex, in 1979 by Robbie Grey (vocals), Gary McDowell (guitar, vocals), and Michael Conroy (bass, vocals) (born 9 August 1962), [3] Modern English were originally known as The Lepers. The group expanded to "Modern English" when Richard Brown (drums) and Stephen Walker (keyboards) [3] were added to the lineup of the band ...
After the Snow is the second studio album by Modern English, released in April 1982 by 4AD in the United Kingdom, Vertigo Records in Canada, and Sire Records in the United States. It spawned three singles, including the worldwide hit " I Melt with You ".
Title Album details Peak chart positions Certifications; UK Indie [1]CAN [2]US [3]Mesh & Lace: Released: 10 April 1981; Label: 4AD Formats: LP, MC 5 — — After the Snow
Mesh & Lace is the debut studio album by English post-punk band Modern English. It was released on 11 April 1981, through record label 4AD. The album was reissued on CD in 1992 with seven bonus tracks. On September 28, 2019, a digitally remastered edition of Mesh & Lace was released.
Pillow Lips is an album by the English band Modern English, released in 1990. [3] [4] It contains a rerecorded version of "I Melt with You", which charted. [5] The album peaked at No. 135 on the Billboard 200. [6] The band again broke up after promoting Pillow Lips. [7]
English musician and performing artist Andreja Pejić [74] [75] [76] Serbian-Australian model Peter: Japanese singer, dancer and actor Prince [77] [78] American musician JD Samson: American musician Skin: English musician Jeffree Star: American YouTuber and former singer-songwriter. Tilda Swinton [79] [80] Scottish actress Sylvester [81] [82 ...
English Author of young adult fiction [66] Michael Paramo: Asexual and aromantic spectrums, queer born 1993 American Writer, academic and artist [67] [68] Paula Poundstone: Asexual born 1959 American Stand-up comedian, author, actor, interviewer, and commentator [69] Jacob Rabon IV Asexual and aromantic spectrums, bisexual born 1995 American
AllMusic reviewer Alex Ogg gave Ricochet Days a mixed review, saying that it began Modern English's "slow decline toward the status of just another synth band." He warned readers that "the material, though beautifully produced by the reliable Hugh Jones and boasting some pliable hooks, lacks the conviction and attack of old.