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Balduugiin "Marzan" Sharav (1869 – 1939, Mongolian: Балдугийн 'Марзан' Шарав; marzan = facetious), was a Mongolian painter.. He is often credited with the introduction of modern painting styles to Mongolia, but his most famous work, One day in Mongolia (Mongolian: Mongolyn neg ödör), is done in a more traditional zurag style.
English: This text is a representative example from the collection of Mongolian manuscripts in the Bavarian State Library. It is a Buddhist manuscript produced in the Beijing style, in which a sheet has been inserted in both the upper and lower cover.
He started his career [1] in 1970, as an elementary school teacher in the border village of Zamiin Uud, Dornogovi aimag, in the far south east of Mongolia. For ten years, from 1978, he was the editor-in-chief for the arts and cultural programmes on Mongolian State radio and television, In 1988 he became a professional writer with the Mongolian Writer's Union.
Clearly she is a master of the art." [citation needed] In addition to writing poetry, Mộng-Lan is a musician, singer, and composer. She has released 10 albums, which include works of jazz piano, spoken word poetry, and singing and playing tangos on guitar. She has performed at universities, cultural organizations, clubs and cabarets.
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The most striking artifacts of ancient Mongolian sculpture are deer stones (called “буган чулуу” (bugan chuluu) in Mongolian), which are widespread in the regions of the Mongolian Altai ridge and Khangai mountains. The art of depicting deer on stones, popular in Western Eurasia and Central Asia during the Bronze Age, belongs to ...