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Overture is a music notation (scorewriter) program for Windows and Macintosh platforms, published and developed by Sonic Scores. [3] While Overture is primarily a scorewriter program, it also allows editing the score's MIDI audio playback data in the manner of sequencer and digital audio workstation (DAW) software.
The Symphony No. 2 in D-flat major, Op. 30, W45, [1] "Romantic", was written by Howard Hanson on commission from Serge Koussevitzky for the 50th anniversary of the Boston Symphony Orchestra in 1930, [2] and published by Carl Fischer Music.
Festival Overture (1911, revised 1918) Dance of Wild Irravel (1912) Four Orchestral Pieces (1912–13) Three Pieces for Small Orchestra (1913, revised 1928) Symphonic Scherzo (1917, revised 1933) Russian Suite (1919) Mediterranean (1922) Cortège (1925) Romantic Overture (1926) Overture, Elegy and Rondo (1927) Three Pieces (1928) Overture to a ...
MIDI based score writer: Defunct; last stable release September 2006. NoteWorthy Composer: Windows: Proprietary: Noteworthy Software Can import and export MIDI data, but only edit and display it as a musical score. Runs correctly in wine. Overture: macOS, Windows: Proprietary: Sonic Scores (formerly called Geniesoft) Score, piano roll, MIDI ...
The Romantic era of Western Classical music spanned the 19th century to the early 20th century, encompassing a variety of musical styles and techniques. Part of the broader Romanticism movement of Europe, Ludwig van Beethoven, Gioachino Rossini and Franz Schubert are often seen as the dominant transitional figures composers from the preceding Classical era.
The earliest known, full-length opera composed by a Black American, “Morgiane,” will premiere this week in Washington, DC, Maryland and New York more than century after it was completed.
The company forecast its fiscal 2025 revenue to be between $3.33 billion and $3.40 billion, the midpoint of which is below the analysts' average estimate of $3.40 billion, according to data ...
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.