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Dove and Rose jacquard-woven silk and wool double cloth furnishing textile, designed by William Morris in 1879. [1]Double cloth or double weave (also doublecloth, double-cloth, doubleweave) is a kind of woven textile in which two or more sets of warps and one or more sets of weft or filling yarns are interconnected to form a two-layered cloth. [2]
A rapier loom is a shuttleless weaving loom in which the filling yarn is carried through the shed of warp yarns to the other side of the loom by finger-like carriers called rapiers. [1] A stationary package of yarn is used to supply the weft yarns in the rapier machine. One end of a rapier, a rod or steel tape, carries the weft yarn.
For example, in 1816 two thousand rioting Calton weavers tried to destroy power loom mills and stoned the workers. [9] In the longer term, by making cloth more affordable the power loom increased demand and stimulated exports, causing a growth in industrial employment, albeit low-paid. [ 10 ]
Tablet weaving is especially freeing, because any pattern can be created by turning individual tablets. This is in contrast to normal looms, in which the complexity of the pattern is limited by the number of shafts available to lift threads, and the threading of the heddles. Tablet weaving can also be used to weave tubes or double weave.
In the terminology of weaving, each warp thread is called a warp end; a pick is a single weft thread that crosses the warp thread (synonymous terms are fill yarn and filling yarn). [ 2 ] [ 3 ] In the 18th century, the Industrial Revolution facilitated the industrialisation of the production of textile fabrics with the "picking stick" [ 4 ] and ...
Viking longships used wool for sailcloth. The cloth was woven in one of three ways, according to locality and tradition: plain weave with individual threads going over and under each other, three-shaft twill with two threads going over and under at each cross thread, and four-shaft twill with thread interwoven with two threads at a time in either direction.
[4] To use a temple, the length is first adjusted so that it matches the total width (or spread) of warp threads in the reed. The prongs are then inserted into the fabric, on each side, at the very edges of the cloth. The temple must be moved frequently to keep it close to the fell of the fabric, where the weaving is taking place. [2]