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Pierre Fauchard (French pronunciation: [pjɛʁ foʃaʁ]; 2 January 1679 – 21 March 1761) [1] was a French physician, credited as being the "father of modern dentistry". [2] He is widely known for writing the first complete scientific description of dentistry, Le Chirurgien Dentiste ( "The Surgeon Dentist" ), published in 1728. [ 2 ]
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Baker's Biographical Dictionary of Musicians is a major reference work in the field of music, originally compiled by Theodore Baker, PhD, and published in 1900 by G. Schirmer, Inc. The ninth edition, the most recent edition, was published in 2001.
Some institutions that train individuals for careers in music offer training in a wide range of professions, as is the case with many of the top U.S. universities, which offer degrees in music performance (including singing and playing instruments), music history, music theory, music composition, music education (for individuals aiming to ...
A definition of music endeavors to give an accurate and concise explanation of music's basic attributes or essential nature and it involves a process of defining what is meant by the term music. Many authorities have suggested definitions, but defining music turns out to be more difficult than might first be imagined, and there is ongoing debate.
Fauchard: A large iron "hand weapon" (vs. throwing weapon) with the form of a bill, the back, which is opposite to the longest curve, is straight or concave, while the cutting edge is convex. The fauchard differs from the guisarme by the direction of its edge and its point, generally projected in the rear, and of the war scythe by the dimension ...
Manfred Bukofzer, Music in the Baroque Era, New York, Norton, 1947, had spoken of "implied polyphony". Unfolding is "a prolongation by means of the unfolding of intervals horizontally." [1] Though the notes skipped between, those heard, may be considered near the foreground, the dyads, those implied, are in the middle or background ...
In the sixteenth century, the word ricercar could refer to several types of compositions. Terminology was flexible, even lax then: whether a composer called an instrumental piece a toccata, a canzona, a fantasia, or a ricercar was clearly not a matter of strict taxonomy but a rather arbitrary decision.