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Bruner suggested that students may experience, or "represent" tasks in three ways: enactive representation (action-based), iconic representation (image-based), and symbolic representation (language-based). Rather than neatly delineated stages, the modes of representation are integrated and only loosely sequential as they "translate" into each ...
Representation has been associated with aesthetics (art) and semiotics (signs). Mitchell says "representation is an extremely elastic notion, which extends all the way from a stone representing a man to a novel representing the day in the life of several Dubliners". [1] The term 'representation' carries a range of meanings and interpretations.
Three key aspects are commonly notated: The representation system being used (visual/V, auditory/A, kinesthetic/K, and occasionally, O/G), whether the direction of attention is internal (i) or external (e), and whether the event is a recollection of an actual past event (r) or construction of an imaginary event (c).
Mimesis gives an account of the way in which everyday life in its seriousness has been represented by many Western writers, from ancient Greek and Roman writers such as Petronius and Tacitus, early Christian writers such as Augustine, Medieval writers such as Chretien de Troyes, Dante, and Boccaccio, Renaissance writers such as Montaigne, Rabelais, Shakespeare and Cervantes, seventeenth ...
[3] [4] In painting, naturalism is the precise, detailed and accurate representation in art of the appearance of scenes and objects. It is also called mimesis or illusionism and became especially marked in European painting in the Early Netherlandish painting of Robert Campin , Jan van Eyck and other artists in the 15th century.
Stanislavski's choice of the phrase 'art of representation' to describe an artistic approach that diverges from his own has led to some confusion, given that the theatre that is often associated with his own 'experiencing the role' approach (realistic, not acknowledging the audience) is 'representational' in the wider critical sense.
Art criticism is the discussion or evaluation of art. [78] [79] [80] Art critics usually criticize art in the context of aesthetics or the theory of beauty. [79] [80] A goal of art criticism is the pursuit of a rational basis for art appreciation [78] [79] [80] but it is questionable whether such criticism can transcend prevailing ...
Films are constructed out of a sequence of shots, each of which presents the viewer with one clear piece of information. In contrast to the Primitive Mode, IMR therefore uses close-ups. A three-dimensional space is created, using Renaissance rules of perspective as well as new cinematic techniques such as editing and lighting. To preserve the ...