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A Toot and a Snore in '74 is a bootleg album consisting of the only known recording session in which John Lennon and Paul McCartney played together after the break-up of the Beatles in 1970. First mentioned by Lennon in a 1975 interview, [ 1 ] more details were brought to light in May Pang 's 1983 book, Loving John , and it gained wider ...
Nutopia is a conceptual country created and announced by John Lennon and Yoko Ono. [2] The song was created as the anthem to the country created by the two. [citation needed] It was not the first time Lennon experimented with the concept of a song consisting of silence, as he had released a song called Two Minutes Silence on the album Unfinished Music No. 2: Life with the Lions.
The title of this project is a pun on the phrase "working class", in the sense that McCartney, despite his elevated stature, still cherishes his Liverpool roots and is proud of them.
McCartney has had only two significant incarnations of a backing band since the breakup of Paul McCartney and Wings in 1981. [4] The former band, active from 1989 to 1993 with occasional appearances thereafter, included his wife Linda McCartney on vocals and keyboards, Hamish Stuart on guitar and bass, Wickens on keyboards, and former Pretenders Robbie McIntosh and Blair Cunningham on guitar ...
Come Together: A Night for John Lennon's Words and Music is a 2001 television program tribute to John Lennon aired on both TNT and The WB.. Originally planned to celebrate Lennon's accomplishments, the concert took place on October 2, 2001, at Radio City Music Hall in New York City, shortly after the September 11 attacks and exactly one week before the 61st anniversary of Lennon's birth.
Liverpool Sound Collage is an album by Paul McCartney released in 2000. The album is also credited to the Beatles, Super Furry Animals and Youth; but because McCartney was so heavily involved in its creation, in addition to his production credit, Liverpool Sound Collage is filed under his name.
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The book received mostly positive reviews. David Hepworth of The Guardian wrote that "Whereas the other Beatles wrote fitfully after the group broke up, Paul kept getting out his pencil, taking his guitar into a quiet corner and writing yet another song, less on the basis of inspiration than the feeling that it was a muscle he must use or lose.