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[5] Reviewing a 90 minute intermissionless version performed in Las Vegas, TheaterMania wrote "The only other two numbers to be cut completely, "(The Legend of) Miss Baltimore Crabs" and "Cooties," aren't missed at all; the first is the closest thing to a clinker in the show, an uninspired attempt to musicalize the comic villainess Velma Von ...
After a successful tryout at Seattle's 5th Avenue Theatre, Hairspray opened on Broadway at the Neil Simon Theatre on August 15, 2002. [8] Jack O'Brien directed the production, which Jerry Mitchell choreographed, with set design by David Rockwell, costume design by William Ivey Long, lighting design by Kenneth Posner, sound design by Steve C. Kennedy, and the show's many distinctive wigs by ...
"Mrs. Von Tussle Says" (Demo for a potential replacement for "(The Legend of) Miss Baltimore Crabs") Pattie Darcy, Marc Shaiman: 2:24: 7. "Save Your Applause 'Til the End" (Demo for a potential replacement for "(The Legend of) Miss Baltimore Crabs") Christine Ebersole: 2:55: 8. "Turn Back the Hands of Time" (Demo for an end-credits song ...
hello @spotify the lyrics you have for “the legend of miss baltimore crabs” from hairspray live are a MESS. embarrassingly incorrect and riddled with typos. please fix immediately. — Tom ...
The lyrics of this song proclaim through many creative analogies that without love, life is seriously lacking. Tracy says "Without love, life is like my mother on a diet" and Link says that it is "like rock and roll without a drummer." The couples swear their lifelong allegiance to each other because none of them ever want to be "without love." [2]
It received acclaim from audiences and critics alike. Reviewing a stage version, Broadway World wrote "When the fabulous Arthella Williams' "Maybelle" brings down the house with the show's one genuinely serious song "I Know Where I've Been," the audience is already being prepped for a standing ovation."
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[11] 99.9 Kez said " You Can't Stop the Beat is the ultimate infectious show closer, designed to have you leaving the theatre wishing every musical ended with such an up-beat, high-energy song and dance. [12] Reviewing a 2014 production, Hoopla wrote "The show's finale, "You Can't Stop the Beat," was just a little shaky at first.