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Browning's poem inspired or gave its title to many subsequent works, including a painting by Edward Burne-Jones, Warwick Deeping's second novel, a 1953 novel by Evelyn Waugh, a 1975 TV-movie with Katharine Hepburn and Laurence Olivier, an episode of the American TV series Mad Men, and an album and song by the band 10,000 Maniacs.
The Dictionnaire des symboles asserts that all the rites, myths, poems and tales evoking the horse simply highlight this relationship between rider and mount, considered, in psychoanalytical terms, to represent that of the psychic and the mental: "if there is conflict between the two, the horse's race leads to madness and death, but if there is ...
"Tamerlane" is the Latinized name of a 14th-century historical figure.. The main themes of "Tamerlane" are independence and pride [3] as well as loss and exile. [4] Poe may have written the poem based on his own loss of his early love, Sarah Elmira Royster, [5] his birth mother Eliza Poe, or his foster-mother Frances Allan. [4]
Children love this poem, but critics find it "coy" and "lightweight". The 'peering into shanties' metaphor is thought "snobbish". The exact animal employed as a metaphor for the railroad initially proves a puzzle, but at poem's end it is decidedly a horse which neighs and stops (like the Christmas Star) at a "stable door".
A writer in The Sydney Morning Herald noted, of the original publication: "A beautiful volume, as far as typography goes, is Mr Will H. Ogilvie's 'Fair Girls and Gray Horses,' a collection of Australian poetry with the imprint of the 'Bulletin' Company. The real westward—that means anywhere from Menindie to the Gulf of Carpentaria and west of ...
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George Dawe's Genevieve (from the poem Love by Coleridge), 1812 . This poem was first published (with four preliminary and three concluding stanzas) as the Introduction to the Tale of the Dark Ladie, in the Morning Post, on 21 December 1799: included (as Love) in the Lyrical Ballads of 1800, 1802, 1805: reprinted with the text of the Morning Post in English Minstrelsy, 1810, with the following ...
The two drive the horses down into the deeps of Busiltjörn, and all of the horses swim back to land but a large, young, and handsome gray horse that no one had ever mounted. The grey-bearded old man says that the horse is from "Sleipnir's kin" and that "he must be nourished heedfully, for it will be the best of all horses". The old man vanishes.