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Jingdezhen porcelain (Chinese: 景德镇陶瓷) is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China. Jingdezhen may have produced pottery as early as the sixth century CE, though it is named after the reign name of Emperor Zhenzong , in whose reign it became a major kiln site, around 1004.
Chinese blue and white export porcelain, with European scene and French inscription "The Empire of virtue is established to the end of the Universe", Kangxi period, 1690–1700 Chinese export porcelain includes a wide range of Chinese porcelain that was made (almost) exclusively for export to Europe and later to North America between the 16th ...
This water-based expansion of Chinese blue and white porcelain can be confirmed by finds in Japan, Korea, and South-East Asia. The demand for Chinese blue and white porcelain in the Middle East influenced Chinese production of these products in both the quantity of blue and white porcelain's production and the type of objects being produced.
For all these reasons, the figures have not shared in the huge increase in Chinese art prices since the 1990s, which has been driven by Chinese collectors. The record price for a horse remains £3,740,000, [77] from a sale by the British Rail Pension Fund at Sotheby's in 1989. In 2002 the dealer who had sold this piece to the pension fund in ...
Chinese ceramics had long been admired, collected and emulated in the Islamic world. This was especially so in the Ottoman court and the Safavid court in Persia which had important collections of Chinese blue-and-white porcelain. Such Chinese porcelains influenced the style of Safavid pottery and had a strong impact on the development of Iznik ...
Chinese blue-and-white ware were copied in Europe from the 16th century, with the faience blue-and-white technique called alla porcelana. Soon after the first experiments to reproduce the material of Chinese blue-and-white porcelain were made with Medici porcelain. These early works seem to be mixing influences from Islamic as well as Chinese ...
Early blue and white porcelain, c. 1351. The Mongol Yuan dynasty enforced the movement of artists of all sorts around the Mongol Empire, which in ceramics brought a major stylistic and technical influence from the Islamic world in the form of blue and white porcelain, with underglaze painting in cobalt.
The blue colour is more violet or royal blue in tone, which is different in shade from the blue used in Ming dynasty porcelain. The ability to achieve colour gradation famille verte is limited. The coloured enamels are often painted over the pure white body of the porcelain which comes over through the glaze.