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Hyperphantasia is the condition of having extremely vivid mental imagery. [1] It is the opposite condition to aphantasia, where mental visual imagery is not present. [2] [3] The experience of hyperphantasia is more common than aphantasia [4] [5] and has been described as being "as vivid as real seeing". [4]
For instance, the term "counterfactual" is sometimes applied to conditionals that express a contrary-to-fact meaning, regardless of their grammatical structure. [ 14 ] [ 8 ] Along similar lines, the term "subjunctive" is sometimes used to refer to conditionals that bear fake past or irrealis marking, regardless of the meaning they convey.
Formally, every sentence above looks like the first conditional, with the condition having future meaning, [5] which was not our intention. Generally, context and auxiliary words like "already", "at present", etc. sometimes are enough to inform us that the condition has present meaning, but sometimes are not, which leads to ambiguity, for example:
An introduction to English transformational syntax. Longman. Huddleston, Rodney D. (2009). The Sentence in Written English: A Syntactic Study Based on an Analysis of Scientific Texts. Cambridge University Press. p. 352. ISBN 978-0-521-11395-3. Jespersen, Otto (1982). Growth and Structure of the English Language.
The use of tenses is quite similar to English: In implicative conditional sentences, the present tense (or other appropriate tense, mood, etc.) is used in both clauses. In predictive conditional sentences, the future tense or imperative generally appears in the main clause, but the condition clause is formed with the present tense (as in English).
The result is that the truth of either one of the connected statements requires the truth of the other (i.e. either both statements are true, or both are false), though it is controversial whether the connective thus defined is properly rendered by the English "if and only if"—with its pre-existing meaning.
Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men"). During the Renaissance, scholars meticulously enumerated and classified figures of speech.
An unpaired word is one that, according to the usual rules of the language, would appear to have a related word but does not. [1] Such words usually have a prefix or suffix that would imply that there is an antonym, with the prefix or suffix being absent or opposite.