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The song is based on Donna Deitch's 1985 film Desert Hearts, which is an adaptation of Rule's novel. [186] "Soma" Is This It: The Strokes: Brave New World: Aldous Huxley: Refers to the fictional drug used in Brave New World. [187] "Song For Clay" A Weekend in the City: Bloc Party: Less than Zero: Bret Easton Ellis [53] "The Stand (Prophecy ...
Thirteenth Step is a concept album about the different aspects and perspectives of addiction, and the recovery from it. [13] The album's title itself is a reference to the 12 step program of Alcoholics Anonymous . [ 10 ]
A signature song may be a song that spearheads an artist's initial mainstream breakthrough, a song that revitalizes an artist's career, or a song that simply represents a high point in an artist's career. Often, a signature song will feature significant characteristics of an artist and may encapsulate the artist's particular sound and style.
They wrote and produced four songs on Folklore, including "This Is Me Trying"; [3] English actor Joe Alwyn was credited as co-producer on the track. [note 1] Swift wrote the lyrics "from three different characters' perspectives"; she conveyed the emotions felt in 2016 and 2017, "I just felt like I was worth absolutely nothing."
A different live recording from Chicago appears on the promotional album Live in Chicago 23.10.95 and the song is featured on 14 volumes of Live Smashing Pumpkins. The song has also appeared in different versions on several Smashing Pumpkins bootlegs such as Unplugged: 100% Pure Acoustic Performances , which includes unofficial live recordings ...
The song's music video was directed by Liz Friedlander [10] and debuted on MTV's Total Request Live on March 7, 2000. [61] It consists of performance footage of the trio in a warehouse in front of a wall decorated with photographs. In between verses, the photos' origins are explored through the different perspectives of individuals near the band.
The song's lyrics discuss a romance lost in memories, from the perspective of a female narrator named Betty, one of the several fictitious characters narrated in Folklore. An accompanying music video, written, directed, and styled by Swift, was released alongside the album launch.
In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press. Holt, Fabian (2007) Genre in Popular Music. Chicago: University of Chicago Press.