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A&W (song) Ah! May the Red Rose Live Alway; Ain't Gonna Let Nobody Turn Me 'Round; Alberta (blues) All About You (Hilary Duff song) All God's Chillun Got Wings (song) All My Trials; All the Pretty Little Horses; All-American Bitch; Amen (gospel song) American Life (song) Animal Fair (song) Apples and Bananas; Arcadia (Lana Del Rey song) The ...
The term American folk music encompasses numerous music genres, variously known as traditional music, traditional folk music, contemporary folk music, vernacular music, or roots music. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles ...
Music scholars, journalists, audiences, record industry individuals, politicians, nationalists and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal or ethnic lines, and all such peoples will likely use different criteria to decide what ...
American folk songs (61 C, 359 P) Pages in category "American folk music" ... Archive of Folk Culture; Archives of Traditional Music; B. Banjo music; Beatle Country;
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. ... and performing traditional folk and blues songs along the way.
Traditional folk 1952 Gordon Heath & Lee Payant: Chants traditionnels des États-Unis / The Ballad of the Boll Weevil and Other Traditional Songs of the United States: Traditional folk 1955 Robert Shaw Chorale: My True Love Sings: Traditional folk 1956 Phineas Newborn, Jr. While My Lady Sleeps: Jazz: 1957 Pete Seeger: American Favorite Ballads ...
(Roud 489), also known as "Soldier John" and "Soldier, Soldier," is an American traditional folk song. [1] Fresno State University gives the earliest collected date as 1903 in America, and it was collected many times in Tennessee and North Carolina in the early 1900s. [2] It was printed in "Games and Songs of American Children" by William Wells ...
The Music Division's director Carl Engel announced in April 1928 that the Library of Congress would appoint the folk song collector Robert Winslow Gordon as the archive's first director and explained the archive's scope as “a national collection of folk song … to ensure their preservation and to recognize the value of the folk heritage.” [1] In the Library of Congress’ annual report ...