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The Gods' line-up included, at one time or another, vocalist and guitar/bass player Greg Lake (later of King Crimson and Emerson, Lake & Palmer), [2] bass player Paul Newton (later the first Uriah Heep bassist), drummer Lee Kerslake (later also of Heep), bassist John Glascock (later of Jethro Tull), and guitarist Joe Konas. In early 1968, they ...
Much of David Copperfield is autobiographical, and some scholars believe Heep's mannerisms and physical attributes to be based on Hans Christian Andersen, [2] [3] whom Dickens met shortly before writing the novel. Uriah Heep's schemes and behaviour could also be based on Thomas Powell, [4] employee of Thomas Chapman, a friend of Dickens. Powell ...
Uriah Heep may refer to: Uriah Heep (David Copperfield) , a character in the Charles Dickens novel David Copperfield Uriah Heep (band) , a British rock band active since 1969
"July Morning" is a song by the English rock band Uriah Heep. It is the third track on their 1971 album Look at Yourself . The song was written in July 1970 by the band's keyboardist Ken Hensley and lead singer, David Byron , in the key of C minor .
Uriah Heep recruited bassist Trevor Bolder (ex-David Bowie, Mick Ronson), and after having auditioned David Coverdale (Deep Purple, Whitesnake), Ian Hunter (Mott the Hoople) and Gary Holton (Heavy Metal Kids), brought in John Lawton, formerly of Lucifer's Friend and the Les Humphries Singers, with whom they turned totally away from fantasy ...
The Magician's Birthday is the fifth studio album by English rock band Uriah Heep, released in November 1972 by Bronze Records in the UK and Mercury Records in the US. The concept was "based loosely on a short story" written by keyboardist Ken Hensley in June and July 1972.
Innocent Victim is the eleventh studio album by English rock band Uriah Heep, released in November 1977 by Bronze Records in the UK and Warner Bros. Records in the US. Although it did not chart in the US or UK, Innocent Victim went on to sell more than 100,000 copies in Germany alone, [ citation needed ] and reached No. 19 and No. 44 in New ...
Though the song was never released as a single, it is one of the most well-known songs from the album. It was written by Ken Hensley, who also performed the keyboard/piano element of the song, with vocals by David Byron. It was the band's first song to use only the keyboards/piano and vocals with some additional bass guitar parts.