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Lavani is a combination of traditional song and dance, which particularly performed to the beats of Dholki, a percussion instrument. Lavani is noted for its powerful rhythm. Lavani has contributed substantially to the development of Marathi folk theatre. [2]
The folk songs sung in Uttarakhandi music include the dhol damau, Turri, ransingha, dholki, daur, thali, bhankora and mashakbaja. Tabla and harmonium are also sometimes used, especially in recorded folk music from the 1960s onwards. In recent years, Uttarakhandi folk songs have transformed.
Thus the songs of Uttarakhand are a true reflection of the cultural heritage and the way people live their lives in the Himalayas. Musical instruments used in Uttarakhand music include the dhol, damoun, turri, ransingha, dholki, daur, thali, bhankora and masak baja. Tabla and harmonium are also used but to a lesser extent.
The dholak can be anywhere about 16" to 24" in length. It is widely used in qawwali, kirtan, bhajan, bhangra, chutney, baithak gana, Bollywood film songs, lokgeet and various classical styles such as Hindustani, Carnatic and Trinidadian local classical / Guyanese taan. The drum has two different sized drumheads.
Dholak ke Geet songs are Urdu folk songs from Hyderabad Deccan, sung by Hyderabadi women during daily routine chores or during wedding festivities. The folk songs are also known as "Lok Geet" and were popular as Chakkhi ke Geet (chakkhi–mill and geet–songs), as they were sung when women used to grind grains at the mills. In modern days ...
The original and the background scores were composed by Ajay Atul, based on the song lyrics by Guru Thakur. The script and story of the film demands period compositions and traditional dance numbers as in Lavani and Gavalan. Vijay Chavan received special accolades for his performance on the dholki. [10]
This page was last edited on 27 October 2019, at 20:26 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
At the same time, this type of rhythm would be played on the dholki drum to accompany Punjabi songs. So when, in the 1990s, Punjabi pop songs began to evoke bhangra dance, they used the kaharva rhythm. It is known now by various names.