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A transition or linking word is a word or phrase that shows the relationship between paragraphs or sections of a text or speech. [1] Transitions provide greater cohesion by making it more explicit or signaling how ideas relate to one another. [1] Transitions are, in fact, "bridges" that "carry a reader from section to section". [1]
Transitions in fiction also refer to how the trajectory of characters changes according to the various factors that affect them. The spatial and temporal changes affecting the characters help in the plot development. This shift can also denote a parallel transition that takes place regarding the state of mind of the character. [4]
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Transitions are a long-term process Complete system-change takes time and can be decades in the making. Case studies show them to be between 40 and 90 years. [33] Transitions are radical For a true transition to occur the technology has to be a radical innovation. Change is Non-linear The rate of change will vary over time. For example, the ...
Foregrounding is a concept in literary studies that concerns making a linguistic utterance (word, clause, phrase, phoneme, etc.) stand out from the surrounding linguistic context, from given literary traditions, or from more urban knowledge. [1]
Semantic change (also semantic shift, semantic progression, semantic development, or semantic drift) is a form of language change regarding the evolution of word usage—usually to the point that the modern meaning is radically different from the original usage.
Another example is found in Edith Wharton's The Age of Innocence. [2] Ellipsis is a common procedure in film narrative, where movement and action unnecessary to the telling of a story will often be removed by editing. For example, there would be no need to show a character standing up from a chair and walking the length of a room to open a door.
In 1958, at the Fourth Congress of Slavists in Moscow, the debate between linguistic and literary approaches to translation reached a point where it was proposed that the best thing might be to have a separate science that was able to study all forms of translation, without being wholly within linguistics or wholly within literary studies. [1]