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Nuper rosarum flores ("Recently Flowers of Roses/The Rose Blossoms Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436 consecration of the Florence Cathedral, on the occasion of the completion of the dome built under the instructions of Filippo Brunelleschi.
The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
15th century – A cupola, or dome which did not require a framework supporting its curves, was invented by Filippo Brunelleschi. To transport the large stones to the construction site, Brunelleschi invented a unique boat capable of moving heavy cargo upriver and was granted exclusive rights to use his boat to move heavy loads, patent rights. [1]
Timeline of music in the United States; To 1819; 1820–1849; 1850–1879; 1880–1919; 1920–1949; 1950–1969; 1970–present; Music history of the United States; Colonial era – to the Civil War – During the Civil War – Late 19th century – 1900–1940 – 1950s – 1960s – 1970s – 1980s
Brunelleschi also returned several times to find inspiration for what was the Renaissance art. [7] While in Florence, Masaccio, first great Italian painter of the Quattrocento, became friends with Brunelleschi and Donatello, and at their prompting in 1423 travelled to Rome, along with his mentor Masolino.
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After years of considering options, Filippo Brunelleschi and Lorenzo Ghiberti were made joint leaders of the project to build the dome for Florence Cathedral in 1420. Brunelleschi's plan to use suspended scaffolding for the workers won out over alternatives such as building a provisional stone support column in the center of the crossing or ...
The origin of Renaissance architecture is generally accredited to Filippo Brunelleschi (1377–1446). [2]: 243 Brunelleschi and his contemporaries wished to bring greater "order" to architecture, resulting in strong symmetry and careful proportion. The movement grew from scientific observations of nature, in particular, human anatomy.