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Sampling is one of the foundations of hip hop, which emerged in the 1980s. [34] Hip hop sampling has been likened to the origins of blues and rock, which were created by repurposing existing music. [24] The Guardian journalist David McNamee wrote that "two record decks and your dad's old funk collection was once the working-class black answer ...
The first commercially available sampling synthesizer was the Computer Music Melodian by Harry Mendell (1976), while the first polyphonic digital sampling synthesizer was the Australian-produced Fairlight CMI, first available in 1979. These early sampling synthesizers used wavetable sample-based synthesis. [8]
Pages in category "Sampling (music)" The following 30 pages are in this category, out of 30 total. This list may not reflect recent changes. ...
In popular music, interpolation (also called a replayed sample) refers to using a melody — or portions of a melody (often with modified lyrics) — from a previously recorded song but re-recording the melody instead of directly sampling it.
The use of found objects in music takes one of two general forms: either objects are deliberately recorded, with their sound used directly or in processed form, or previous recordings are sampled for use as part of a work (the latter often being referred to simply as "found sound" or "sampling").
In dance or hip hop music sampling, chopping is the "altering [of] a sampled phrase [or break] by dividing it into smaller segments and reconfiguring them in a different order." (Schloss 2004, p. 106)
Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", [ 1 ] and eventually explicitly defined in the liner notes of his Grayfolded album.
Sampledelia (also called sampledelica) [1] is sample-based music that uses samplers or similar technology to expand upon the recording methods of 1960s psychedelia. [2] Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping , looping or stretching .