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Liebster Gott, wenn werd ich sterben, BWV 8, is one of Bach's church cantatas for the 16th Sunday after Trinity (Trinity XVI). [16] [17] The prescribed readings for the Sunday were from the Epistle to the Ephesians, praying for the strengthening of faith in the congregation of Ephesus (Ephesians 3:13–21), and from the Gospel of Luke, the raising from the dead of the young man from Nain (Luke ...
In the liner notes for The Altar and the Door, Casting Crowns lists Psalm 51, Ephesians 2:1–10, 1 John 1:9, Psalm 103, Romans 8, Colossians 2:9–15, Isaiah 38:17, Psalm 32, Lamentations 3:22–24, Romans 6 and Romans 3:5–8 as inspirations for writing "East to West". [1] It was written by Mark Hall and Bernie Herms [1] [2] and produced by ...
[8] The central choral movement, "a powerful chorus which forms the core of the cantata", [3] is in two sections: the complete text is once rendered in a free form, then again as a fugue, [2] comparable to the concept prelude and fugue. [4] Two oboes double the strings, a clarino plays an independent part. The prelude is in three symmetric ...
Neal Coomer and Jay DeMarcus met in Cleveland, Tennessee, at Lee College (now Lee University) and decided to form a Christian pop group along the lines of Level 42 or Go West. They released two albums, East to West in 1993 and North of the Sky, in 1995, which hit No. 16 on Billboard's Top Christian Albums chart that same year. [1]
Bach first performed the cantata on 3 November 1715 (according to the musicologist Alfred Dürr) [5] or on 25 October 1716. [3] Bach performed the cantata again on 10 October 1723 in his first year in Leipzig in a revised version, including a corno da tirarsi, a baroque wind instrument mentioned only in Bach's music and thought to have been ...
Höchsterwünschtes Freudenfest (Most highly desired festival of joy), [1] BWV 194, [a] is a church cantata by Johann Sebastian Bach.He composed it in Leipzig for dedication of the church and organ at Störmthal on 2 November 1723.
Bach composed the cantata in his second year in Leipzig for the feast of the Ascension. [2] The prescribed readings for the feast day were from the Acts of the Apostles , Jesus telling his disciples to preach and baptize, and his Ascension ( Acts 1:1–11 ), and from the Gospel of Mark ( Mark 16:14–20 ).
The three cantata texts were probably written for Bach's first year in Leipzig, but postponed due to the workload of the first performance of the St John Passion that year. They are a sequence on themes from the Gospel of John. [3] The poet opens the cantata with the beginning from the Gospel, verse 11. [5]