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A color of 28 pitches is arranged with a talea of four durations which repeats seven times (28 ÷ 4 = 7). Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a talea, in at least one voice part throughout a composition.
It is a light or humorous form of five chiefly anapestic verses with a rhyme scheme of aabba. Modern limericks generally use the final line for clever witticisms and wordplay while its content often tends toward the ribald and off-color. Lyric–Derived from the Greek word lyre, lyric poetry was originally designed to be sung. It is the most ...
Rhyme is a form of art that one can use to communicate to the reader or audience. [4] It also serves as a powerful mnemonic device, facilitating short-term memory. [ 5 ] The regular use of tail rhyme helps to mark off the ends of lines, thus clarifying the metrical structure for the listener.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
A rhyme is the repetition of syllables, typically found at the end of a verse line. Assonance (aka vowel rhyme): the repetition of vowel sounds without repeating consonants. [1] Broken rhyme: a type of enjambment producing a rhyme by dividing a word at the line break of a poem to make a rhyme with the end word of another line
In isorhythmic compositions, a composition technique characteristic of motets in the 14th and early 15th centuries, the term color refers to a sequence of repeated notes in the cantus firmus tenor of a composition. The color is typically divided into several taleae, sequences that have the same rhythmic sequence. [citation needed]
Baroque opera arias and a considerable number of baroque sacred music arias was dominated by the Da capo aria which were in the ABA form. A frequent model of the form began with a long A section in a major key, a short B section in a relative minor key mildly developing the thematic material of the A section and then a repetition of the A section. [4]
A rhythmic sequence is the repetition of a rhythm with free use of pitches: The opening bars of "The Star-Spangled Banner" Opening bars of "The Star-Spangled Banner" A modified sequence is a sequence where the subsequent segments are decorated or embellished so as to not destroy the character of the original segment: