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Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
One method noted for its use of xylophones is Orff-Schulwerk, which combines the use of instruments, movement, singing and speech to develop children's musical abilities. [27] Xylophones used in American general music classrooms are smaller, at about 1 + 1 ⁄ 2 octaves, than the 2 + 1 ⁄ 2 or more octave range of performance xylophones. The ...
Xylophone: Ghana, Uganda, Zambia Pitched 111.212 Idiophone The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets Xylorimba: Pitched 111.212 Idiophone Yanggeum: Korea Pitched Chordophone A type of Hammer dulcimer Yangqin: China Pitched Chordophone Type of hammered dulcimer. Yuka: Congo ...
Baganda music is a music culture developed by the people of Uganda with many features that distinguish African music from other world music traditions. Parts of this musical tradition have been extensively researched and well-documented, with textbooks documenting this research.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
It is the interplay of several elements, inseparable and equally essential, that produces the "varying rhythmic densities or motions" of cross-rhythmic texture. [13] 3 and 2 belong to a single Gestalt. [14] Cross-rhythm is the basis for much of the music of the Niger–Congo peoples, speakers of
Bex Burch's Vula Viel is a jazz group from London, playing music based on the sound of the gyil, a wooden xylophone from West Africa, fused with elements of electronica and minimal music. [1] The group was formed by Bex Burch, a musician from Yorkshire .
SK Kakraba is a Ghanaian musician and performer of the country's traditional music. He makes and performs gyils, a xylophone containing 14 suspended wooden slats stretched over calabash gourds containing resonators. [1] He was taught to build the instruments using a rare wood known by the Lobi as neura. Kakraba explained: "It's a very hard ...