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It is a double album that follows a loose concept around the eponymous fictional band Star Power. Unlike their previous full-length, the album was recorded almost entirely at home and in various locations in Los Angeles, such as the Chateau Marmont and Beverly Hills Hotel.
Roger Joseph Ebert (/ ˈ iː b ər t / EE-bərt; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, essayist, screenwriter and author.He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013.
After Gene Siskel of Siskel & Ebert died on February 20, 1999, [16] [17] Roger Ebert co-hosted the show with nearly 30 guest critics. [18] After ten appearances on the program, [19] Roeper was offered the opportunity to co-host the popular film review show with Ebert permanently. [20] The series was renamed Ebert & Roeper and the Movies in 2000 ...
Roger Ebert gave the movie half of one star out of four and called it "a puerile exploitation of one very thin joke during 98 very long minutes." [6] On his Sneak Previews program with Gene Siskel, Ebert said, "At times, it is a savage affront to the intelligence," and "It's not funny. It's one of the low points of my entire movie-going career."
Roger Ebert gave the film a negative score of one and a half stars out of four, and referred to it as a "lost cause", but wrote that some of the actors might have a future in other, better films. [30] LaPaglia, Cochrane, Zellweger, Tyler, Embry and Tunney all went on to varying levels of success in the years following Empire Records.
Different versions of the soundtrack album exist because of disputes over royalties. [31] CD 'Beyond The Valley Of The Dolls / Groupie Girl - Original Film Score', produced by the label: Screen Gold Records - SGLDCD00010, does not contain the original film versions; only the new recordings for the 1970 four-song LP, the Ami Rushes sings and two ...
In a three-star review, film critic Roger Ebert wrote that the film was "kind of sweet and kind of goofy, and works because its heart is in the right place". [10] Hal Hinson of The Washington Post said that the film "is hopelessly syrupy, preposterous and more than a little bit lame, but, still, somehow it got to me". [11]
Roger Ebert added the film to his Great Movies collection. [3] In 2012, filmmaker Ashim Ahluwalia included the film in his personal top ten (for The Sight & Sound Top 50 Greatest Films of All Time poll), writing: "Fassbinder's opiated take on Sunset Boulevard, Veronika Voss makes Billy Wilder's movie look like a children's special. Voss's drug ...