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Choir dress is the traditional vesture of the clerics, seminarians and religious of Christian churches worn for public prayer and the administration of the sacraments except when celebrating or concelebrating the Eucharist.
It is commonly called the Geneva gown, especially in Reformed churches. [1] The garment in Lutheran churches is the talar (talaris vestis), [2] also called priesterrock (priest's robe) or chorrock (choir or chancel robe). [3] Reformation Wall statues of Farel, Calvin, Beza and Knox in Geneva, all wearing their gowns.
The choir dress is the vesture of the clerics, seminarians and religious of traditional churches worn for public prayer, either apart from the eucharist or by those attending the eucharist as the clergy part of the congregation rather than as the celebrants.
Non-Eucharistic vestments are typically referred to as "choir dress" or "choir habit" in the Roman Catholic, Orthodox, and Anglican churches, because they are worn for the chanting of the Daily Office, which, in the West, takes place in the choir rather than the sanctuary.
Choir dress is worn when attending—but not celebrating—services, and formal occasions, such as audiences. The most immediately noticeable feature is a white cassock and zucchetto (skull cap). The cassock used to have a train on it, but Pope Pius XII discontinued this custom.
The council of Aachen in 816 specified that, following the teachings of the Church Fathers, clergy should "refrain from excessive and ostentatious dress". [1] According to the East Frankish Council of Tribur in the late ninth century, the stole was an acknowledged public marker of clerical status and clergy was incentivised to wear it. [ 2 ]