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Sound poetry is an artistic form bridging literary and musical composition, in which the phonetic aspects of human speech are foregrounded instead of more conventional semantic and syntactic values; "verse without words". By definition, sound poetry is intended primarily for performance.
Punctuation is an object of interpretation in poetry; it is semantic. [4] In poetry, they act as non-verbal tools of poetic expression. A form of artistic choice, the poet's choice of punctuation is central to our understanding of poetic meaning because of its ability to influence prosody. The unorthodox use of punctuation increases the ...
Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words.The term was first used in this sense, perhaps by J. R. R. Tolkien, [1] during the mid-20th century and derives from Ancient Greek φωνή (phōnḗ) 'voice, sound' and αἰσθητική (aisthētikḗ) 'aesthetics'.
Rhyme was introduced into Russian poetry in the 18th century. Folk poetry had generally been unrhymed, relying more on dactylic line endings for effect. Two words ending in an accented vowel are only considered to rhyme if they share a preceding consonant. Vowel pairs rhyme—even though non-Russian speakers may not perceive them as the same sound.
Poetry analysis is the process of investigating ... and therefore emphasizes the sound, the physical nature, of the language. ... Walt Whitman was an important ...
Spoken-word poetry is typically more than a hobby or expression of talent. This art form is often used to convey important or controversial messages to society. Such messages often include raising awareness of topics such as: racial inequality, sexual assault and/or rape culture, anti-bullying messages, body-positive campaigns, and LGBT topics ...
Sound and Sense was originally developed for use in his poetry class; it became one of the most influential works in modern American education. Many of the principles of both Sound and Sense and Story and Structure contributed to a secondary-level literature textbook co-edited by Perrine entitled Adventures in Appreciation (1st ed. 1968), part ...
As poetry is a vocal art, the speaker brings their own experience to it, changing it according to their own sensibilities, [3] intonation, the matter of sound making sense; controlled through pitch and stress, poems are full of invisible italicized contrasts. [2] Reading poetry aloud also makes clear the "pause" as an element of poetry. [4]