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Free scores by Walter Morse Rummel at the International Music Score Library Project (IMSLP) "Walter Rummel plays Liszt Liebestraum no. 3 (1942 rec.)". YouTube. pianopera. August 12, 2011. "Walter Rummel plays Liszt Legend No.2 St. Francis of Paolo Walking on the Waves". YouTube. hotuttoio69. April 28, 2012. (Radio Suisse Romande,1948)
Liebestraum No. 3 in A-flat major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves ...
"O lieb, so lang du lieben kannst" is an 1829 poem by the 19th-century German writer Ferdinand Freiligrath.Hungarian composer Franz Liszt set the first four stanzas in 1843 as a lied for soprano voice and piano, S. 298, and later adapted it into the third of his Liebesträume (Dreams of Love), S. 541.
Franz Liszt, after a painting of 1856, by Wilhelm von Kaulbach. Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding.
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Liszt's composing of music from existing music, being taken as such, was nothing new. For several centuries many of the most prominent composers, among them J. S. Bach, Mozart and Beethoven, had done it before him. An example from Liszt's time is Schumann. He composed his Paganini Studies, Opp. 3 and 10.
Liszt began transcribing this Consolation for the new sostenuto pedal and in a letter to Steinway he wrote: In relation to the use of your welcome tone-sustaining pedal I inclose two examples: Danse des Sylphes, by Berlioz, and No. 3 of my Consolations. I have today noted down only the introductory bars of both pieces, with this proviso, that ...
Goethe and Schiller in front of the Deutsches Nationaltheater and Staatskapelle Weimar, where many of Liszt's symphonic poems premiered. [4]According to cultural historian Hannu Salmi, classical music began to gain public prominence in Western Europe in the latter 18th century through the establishment of concerts by musical societies in cities such as Leipzig and the subsequent press coverage ...