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Don't Cry Mommy (Korean: 돈 크라이 마미; RR: Don keurai Mami) is a 2012 South Korean crime drama film directed by Kim Yong-han. The story was about a mother's revenge against her daughter's rapists. [2]
People who work closely with the dead, such as morticians, are thus considered unclean, and during the feudal era those whose work was related to death became burakumin (untouchables), forced to live in their own hamlets and discriminated against by wider society.
Nagasaki: Memories of My Son (Japanese: 母と暮せば, Hepburn: Haha to Kuraseba, "Living with my mother") is a 2015 Japanese drama film directed by Yoji Yamada and starring Sayuri Yoshinaga and Kazunari Ninomiya. It was selected as the Japanese entry for the Best Foreign Language Film at the 89th Academy Awards but it was not nominated. [2]
One thing is for sure: the bond between mother and child is a strong one. This Mother’s Day Weekend, take a look at our best-of list of the most emotional and tear-jerking movies featuring moms ...
A small, mid-20th century social-service-style structure is a way station between life and death. Every Monday, a group of recently deceased people check-in: the social workers in the lodge ask them to go back over their life and choose one single memory to take into the afterlife.
All About My Mother; All My Friends Are Dead (2020 film) All the Real Girls; All to Play For; The Alligator People; Almost Famous; Anari (1959 film) Anatomy of a Fall; And You Thought Your Parents Were Weird; Anjaane; Anna Nicole Smith: You Don't Know Me; The Anniversary (1968 film) Arzé; As Good as It Gets; At the End of Daybreak; Aurat (1940 ...
Goodbye Mother (Vietnamese: Thưa mẹ con đi) is a Vietnamese socio-psychological film that explores the theme of LGBT issues. It marks the directorial debut of Trịnh Đình Lê Minh. It marks the directorial debut of Trịnh Đình Lê Minh.
San's only reprieve was her piano lessons with a kindly next-door neighbor, Jeong-hee. Years later, when the adult San learns that she is pregnant, she visits her estranged, terminally ill mother at the hospital. Despite awaiting her imminent death, her mother has not changed at all, and San wonders if she will ever be free of the painful memories.