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TriQuarterly is a name shared by an American literary magazine and a series of books.. The journal is published twice a year under the aegis of the Northwestern University Department of English and features fiction, nonfiction, poetry, drama, literary essays, reviews, a blog, and graphic art.
Below is a list of literary magazines and journals: periodicals devoted to book reviews, creative nonfiction, essays, poems, short fiction, and similar literary endeavors. [1] [2] Because the majority are from the United States, the country of origin is only listed for those outside the U.S.
By the end of the century, literary magazines had become an important feature of intellectual life in many parts of the world. One of the most notable 19th century literary magazines of the Arabic-speaking world was Al-Urwah al-Wuthqa. [6] Among the literary magazines that began in the early part of the 20th century is Poetry magazine.
As such, Scrutiny was widely read, and Leavis became very influential in 20th century literary criticism in part because he was editor of the journal. [6] After writing many articles for the journal, music critic Wilfrid Mellers appeared on the editorial board of the January 1942 issue, and continued in that position until the December 1948 ...
This category is for magazines and academic journals covering literature (including poetry). Pages in this category should be moved to subcategories where applicable. This category may require frequent maintenance to avoid becoming too large.
The Quarterly was an avant-garde literary magazine founded and edited by Gordon Lish in 1987. [1] It was published by Vintage Books / Random House in New York City. [2] The Quarterly showcased the work of contemporary authors. The magazine contained fiction, poetry and commentary. [3] It ceased publication in 1995. [4] [5]
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In late 2012 a post at blipmagazine.net announced a name change: BlipMagazine was now New World Writing: [9] BlipMagazine has changed its name to New World Writing after the great literary magazine of the 1950s. They were, of course, thinking of world writing, whereas we are thinking more of the (perpetually) new world.