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The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
Onib Olmedo (July 7, 1937 – September 8, 1996) was a Filipino painter acclaimed by critics as one of the major Filipino artists of the 20th century. Olmedo created a body of works that utilizes the expressionist technique of distortion to portray the inner torment experienced by modern man.
Anamorphic street art by Manfred Stader. While not as widespread in contemporary art, anamorphosis as a technique has been used by contemporary artists in painting, photography, printmaking, sculpture, film and video, digital art and games, holography, [1] street art and installation. The latter two art forms are largely practised in public ...
The Antipodeans were a collective of Australian modern artists, known for their advocacy of figurative art and opposition to abstract expressionism. The group, which included seven painters from Melbourne and art historian Bernard Smith, was active in the late 1950s. Despite staging only a single exhibition in Melbourne in August 1959, the ...
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
Perspective distortion refers to the manipulation of visual perception through deliberate techniques that create altered or exaggerated views of objects or scenes. This concept has not only shaped art and architecture but has also played a critical role in challenging and expanding the limits of human perception.
The influential art critic and co-founder of the art magazine Opus International Gérald Gassiot-Talabot [37] had the idea of bringing together, under the umbrella term "narrative figuration", the work of young artists working between 1960 and 1980 (Gilles Aillaud, Eduardo Arroyo, Jacques Monory, Bernard Rancillac).
Max Beckmann was born into a middle-class family in Leipzig, Saxony.From his youth he pitted himself against the old masters. His traumatic experiences of World War I, in which he volunteered as a medical orderly, coincided with a dramatic transformation of his style from academically correct depictions to a distortion of both figure and space, reflecting his altered vision of himself and ...