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The "Bard of Avon," William Shakespeare (1564–1616) Open Source Shakespeare is a non-commercial web site allowing free access to searchable digital versions of the complete works of William Shakespeare. The site was created using Moby Shakespeare, which is based on the 1864 Globe edition of the complete works. [1]
The Internet Shakespeare Editions is a non-profit organization that produces a website devoted to William Shakespeare and his works. The organization is an associate member of the Shakespeare Theatre Association of America, under the classification of theatre service provider, [1] and is supported by the University of Victoria and the Social Sciences and Humanities Research Council of Canada.
See the other part of a character's title where "Roman" is used as an adjective (e.g. see "Captain" for "Roman Captain"). See also Citizen, which is Shakespeare's more usual description for unnamed Romans. Similarly, see Plebeians, Senators, Tribunes; Romeo is a title character in Romeo and Juliet.
Numerous characters are clowns, or are comic characters originally played by the clowns in Shakespeare's company. See also Fool and Shakespearian fool. A cobbler and a carpenter are among the crowd of commoners gathered to welcome Caesar home enthusiastically in the opening scene of Julius Caesar. Cobweb is a fairy in A Midsummer Night's Dream.
Queen Margaret is a fairly epic character, one of the greatest in that respect in Shakespeare. She appears as a naive girl in Henry VI, Part 1 and as an embittered old woman in Richard III. She is a central character of the two intervening plays, Henry VI, Part 2 and Henry VI, Part 3, in which she is the wife of Henry VI and a leader of his ...
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Touchstone is a fictional character in Shakespeare's play As You Like It. He is a court Jester, he was used throughout the play to both provide comic relief through sometimes vulgar humor and contrarily share wisdom, [1] fitting the archetype of the Shakespearean fool. Oftentimes, he acts as a character who foils his surroundings, observing and ...
The Chesterfield portrait, attributed to Borsseler, and the earliest known aggrandized image of Shakespeare. In the decades after Shakespeare's death a number of portraits were made based on existing images or living memory. The most important of these are: The Soest portrait, probably painted by Gerard Soest.