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A remastered version of Presence, along with In Through the Out Door and Coda were reissued on 31 July 2015. The reissue comes in six formats, including CD, vinyl and digital download. The deluxe and super deluxe editions feature bonus material containing alternative takes and one previously unreleased instrumental, "10 Ribs & All/Carrot Pod Pod".
Songs of Praise is a BBC Television religious programme that presents Christian hymns, worship songs and inspirational performances in churches of varying denominations from around the UK alongside interviews and stories reflecting how Christian faith is lived out. The series was first broadcast in October 1961.
"Be Still for the Presence of the Lord" is a contemporary hymn written by British songwriter David J. Evans in 1986. [1] Evans was involved in the charismatic movement but felt that some of its worship risked treating God in a trivial fashion. [ 2 ]
"The Moment" was Kenny G's first hit in Billboard Hot 100 in three years. The song reached number 63. The song reached number 63. It also reached the Hot R&B Singles and Adult Contemporary charts at numbers 62 and 16, respectively.
"Albatross" is a guitar-based instrumental by Fleetwood Mac, released as a single in November 1968, [7] later featuring on the compilation albums The Pious Bird of Good Omen (UK) [8] and English Rose (US). [9] The piece was composed by Peter Green. Kirwan's instrumental "Jigsaw Puzzle Blues" was chosen for the B-side in most territories. [7]
"Forever in Love" is an instrumental by American saxophone player Kenny G that was released as a single in 1992. The song appears on Kenny G's album Breathless, and he both wrote and produced the song. The song topped the US and Canadian adult contemporary charts and won a Grammy Award for Best Instrumental Composition at the 1994 ceremony.
Christian Ludwig of Brandenburg, for whom Bach copied the concertos, portrayed by Antoine Pesne in 1710. The Brandenburg Concertos (BWV 1046–1051) by Johann Sebastian Bach are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier).
Miming in instrumental performance or finger-synching is the act of musicians pretending to play their instruments in a live show, audiovisual recording or broadcast. Miming in instrument playing is the musical instrument equivalent of lip-syncing in singing performances, the action of pretending to sing while a prerecorded track of the singing is sounding over a PA system or on a TV broadcast ...