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This category comprises articles pertaining to monologues, speeches made by one person speaking their thoughts aloud or directly addressing a reader, audience or character Subcategories This category has only the following subcategory.
Such monologues have been argued to play a key role in providing a practice space for developing complex connected discourse, [1] aiding a child to use language as a tool to categorize, explain and know the world, [6] and to "clarify what may originally have been problematic or troublesome". [7]
Time-compressed speech refers to an audio recording of verbal text in which the text is presented in a much shorter time interval than it would through normally-paced real time speech. [1] The basic purpose is to make recorded speech contain more words in a given time, yet still be understandable.
The magic minute, or leadership minute, is a custom in the United States House of Representatives that allows party leaders to speak for as long as they wish, in contrast with other members, who have to adhere to strict time limits.
For musical theatre, a standard audition consists of two 16-32 measures of selected songs, usually contrasting in some way (style, intention, characters, time period, or all of the above). When listed, there can also be a monologue portion where the actor is asked to perform a one-minute monologue. A headshot and résumé are almost always ...
Gittes monologer (Gitte's Monologues) is a collection of poems by the Danish poet Per Højholt. Originally published in 1984, these satirical and political poems are construed as Gitte's monologues, addressed to her friend Susanne.
Talking Heads is a 1988 TV series of dramatic monologues written for BBC television by British playwright Alan Bennett.The first series was broadcast on BBC1 in 1988, and adapted for radio on BBC Radio 4 in 1991.
Not I takes place in a pitch-black space illuminated only by a single beam of light. This spotlight fixes on an actress's mouth about eight feet above the stage, [1] everything else being blacked out and, in early performances, illuminates the shadowy figure of the Auditor who makes four increasingly ineffectual movements "of helpless compassion" during brief breaks in the monologue where ...