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Polaroid Type 55 film is a black-and-white peel-apart Polaroid film that yields both a positive print and a negative image that can be used to create enlargements. The film speed is given by the manufacturers as 50 ISO , however that applies only to the positive component.
An example of a black and white developer is Kodak D-76 which has bis(4-hydroxy-N-methylanilinium) sulfate with hydroquinone and sodium sulfite. In graphic art film, also called lithographic film which is a special type of black and white film used for converting images into halftone images for offset printing, a developer containing methol ...
PolaPan was a monochrome ("black-and-white") slide film. [12] "PolaPan" is a portmanteau of Polaroid and Panchromatic. The PolaPan name had also been used in connection with Polaroid roll print films Type 42 PolaPan 200 (200 ASA film speed) (also Type 32) and Type 44 PolaPan 400 (400 ASA film speed in daylight).
In 1947 Edwin H. Land introduced the Polaroid-Land process. [4] The first instant films produced sepia tone photos. [5] A negative sheet is exposed inside the camera, then lined up with a positive sheet and squeezed through a set of rollers which spread a reagent between the two layers, creating a developing film "sandwich".
Polaroid art is a type of alternative photography which consists of modifying an instant picture, usually while it is being developed. The most common types of ...
Polaroid branded film from 2021. Polaroid manufactures SX-70 and 600 film, i-Type film, Go film, and large format 8x10 film. Unlike the original large format 8x10 film, the new 8x10 is an integral film with the positive and the negative kept together. [14]
Polaroid produces lines of black and white [6] and color film compatible with the SX-70, [22] though their films use a different chemistry than original Polaroid film and have different characteristics such as lower color quality, longer development times, and higher sensitivity to outside forces including light and pressure. [23]
The term arose from the fascination of artists with the "classical" black-and-white vernacular snapshot, the characteristics of which were: 1) they were made with a hand-held camera on which the viewfinder could not easily 'see' the edges of the frame, [citation needed] unlike modern cheap digital cameras with electronic viewfinder, and so the ...