Ads
related to: 16mm ib technicolor film stock paper sheetsuline.com has been visited by 1M+ users in the past month
scrapbook.com has been visited by 10K+ users in the past month
Search results
Results From The WOW.Com Content Network
Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the ...
16 mm sound movie showing a variable-width sound track on single-perforation film stock. 16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2 ⁄ 3 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational ...
Technicolor introduced a color reversal stock, called Monopack, for location shooting in 1941; it was ultimately a 35 mm version of Kodachrome that could be used in standard motion picture cameras. Eastman Kodak introduced their first 35mm color negative stock, Eastman Color Negative film 5247, in 1950. [9]
The two prints, made on film stock half the thickness of regular film, were then cemented together back to back to create a projection print. The Toll of the Sea, which debuted on November 26, 1922, used Process 2 and was the first general-release film in Technicolor. A frame enlargement of a Technicolor segment from The Phantom of the Opera ...
Technicolor also dye-transfer printed Eastmancolor and Ansco negative movies where the negative had been processed by another laboratory with the credit Print by Technicolor. Technicolor publicity dated 1954 added the facility to produce dye transfer release prints from Agfacolor , Gevacolor and Ferraniacolor color negative stock, popular in ...
Technicolor introduced dye transfer in its Process 3, introduced in the feature film The Viking (1928), which was produced by the Technicolor Corporation and released by Metro-Goldwyn-Mayer. Technicolor's two previous systems were an additive color process and a physically problematic subtractive color process, the latter requiring two prints ...