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In 1961 and 1962, the AFL played its game during the off-week between the end of the NFL's regular season and its title game (thus resulting in the AFL holding championship games on December 24, 1961, and December 23, 1962, a week before the NFL's games of December 31, 1961, and December 30, 1962).
The Times Are Racing is a one-act ballet by Justin Peck, to "USA I-IV" from Dan Deacon's album America, with costumes designed by Humberto Leon from the fashion label Opening Ceremony and lighting design by Brandon Stirling Baker. [1] It premiered on January 26, 2017 at the David H. Koch Theater, danced by the New York City Ballet. [2] [3]
The 1968 AFL Championship Game was the ninth annual title game of the American Football League, played on December 29 at Shea Stadium in Queens, New York City, New York.In a rematch of the notorious Heidi Game played earlier in the season, the New York Jets (11–3) of the Eastern Division hosted the defending champion Oakland Raiders (12–2) of the Western Division.
New York City Ballet American Music Festival (9 P) C. Choreographers of New York City Ballet (1 C, 16 P) D. New York City Ballet Diamond Project (1 C, 10 P) I.
New York will be looking for a fresh start tonight with the beginning of a three-game series against the Detroit Tigers, but weather could potentially be an issue again at Citi Field.
In 1994, at the age of 17, Kowroski entered the New York City Ballet as an apprentice, and became a member of the corps de ballet a year later. She was promoted to soloist in 1997 and principal dancer in 1999.
Tarantella (ballet) Theme and Variations (ballet) Thou Swell (ballet) Three Preludes (ballet) The Times Are Racing; Le Tombeau de Couperin (ballet) Touch (ballet) Tributary (ballet) Tribute (ballet) Tricolore (ballet) Triptych (ballet) Tschaikovsky Pas de Deux; Tschaikovsky Piano Concerto No. 2 (ballet) Tschaikovsky Suite No. 3; Two Birds with ...
Kansas City Ballet in Fancy Free. Fancy Free is a ballet composed in 1944 by Leonard Bernstein. The Ballet Theatre premiered the ballet with choreography by Jerome Robbins, scenery by Oliver Smith, costumes by Kermit Love, and lighting by Ronald Bates. The premiere took place on Tuesday, 18 April 1944 at the old Metropolitan Opera House, New York.