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Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
The impressionist character of La Parisienne was compared to the style used by James Tissot, as in his Summer painting in 1878 and to Pierre-Auguste Renoir's The Umbrellas in 1879. The La Parisienne is the only exhibited masterpiece of Hidalgo that survived in perfect condition because many the artist's award-winning works were missing or ...
Hidalgo with members of the Pardo de Tavera family including José Rizal and Juan Luna's wife Paz Pardo de Tavera at Luna's studio in Paris.. The La Pintura was created by Hidalgo in the impressionist style inspired by the trend of Japonisme, as the collecting and display of ukiyo-e prints was gaining significant traction among Western art circles.
In January 2004, The Parisian Life’s final destination for the tour was the University of Santo Tomas’s Museum of Arts and Sciences (the oldest museum in the Philippines), where other two Luna paintings are parts of the university’s art collection, namely the Playa de Kamakura (“Kamakura Bay”) and The Italian Soldier. [2]
Elmer Misa Borlongan (born January 7, 1967) [1] is a prominent contemporary Filipino painter best known for his distinctive use of figurative expressionism. [2]He rose to prominence as a recipient of the Cultural Center of the Philippines' Thirteen Artist Awards in 1994, [3] and his works have since become one of the most widely exhibited and most sought-after at auctions among Southeast Asian ...
Tampuhan, meaning "sulking", [1] is an 1895 classic oil on canvas impressionist painting by Filipino painter and revolutionary activist Juan Luna. It depicts a Filipino man and a Filipino woman having a lovers' quarrel.
By introducing modern ideas into the Philippine art scene, Victorio Edades managed to destroy the conventions of domestic art, and also got rid of the clichéd ideology he believed stunted the development of Philippine art. His defiance to what the Conservatives structured as ‘art’ was a conscious call for real artistic expression.
Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century.