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In Eastern and Near-Eastern religions, devotionals can function as communion prayer and meditation. These are sung in particular rhythms which are sustained over a prolonged period to give practitioners a mystical experience. In Hindu music, the genre arising out of the Bhakti movement (devotion), it takes forms like Bhajan, Kirtan and Aarti ...
Hymns and Spiritual Songs is the 14th studio album released by Bradley Joseph on the Robbins Island Music label ... Holy, Lord God Almighty" – 3:28 "O Come, O ...
Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine, whether for a single God and Goddess, or any number of divinities. [2] Many bhajans feature several names and aspects of the chosen deity, especially in the case of Hindu sahasranamas , which list a divinity's 1008 names.
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as a ritual. Religious songs have been described as a source of strength, as well as a means of easing pain ...
In general, spiritual meditation may promote addiction recovery and improve psychological and mental health outcomes by reducing symptoms of depression, anxiety, and stress. [10] In a January 2020 study, it was concluded that meditation music conducted by Young-Dong Kim can be useful therapy to prevent the reinstatement of methamphetamine ...
"Living in the Material World" is a song by English rock musician George Harrison that was released as the title track of his 1973 album. In the song's lyrics, Harrison contrasts the world of material concerns with his commitment to a spiritual path, and the conflict is further represented in the musical arrangement as the rock accompaniment alternates with sections of Indian sounds.
Contemporary worship music (CWM), also known as praise and worship music, [1] is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band ...
The role of music in Korean shamanism seems intermediary between the possession trance model and the Siberian model: in the Kut ritual, the music, played by musicians, first calls on the god to possess the mudang (shaman), then accompanies the god during their time in the shaman's body, then sends back and placates the god at the end. [26]