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In music, fingering, or on stringed instruments sometimes also called stopping, is the choice of which fingers and hand positions to use when playing certain musical instruments. Fingering typically changes throughout a piece ; the challenge of choosing good fingering for a piece is to make the hand movements as comfortable as possible without ...
The three-hand effect (or three-hand technique) is a means of playing on the piano with only two hands, but producing the impression that one is using three hands. Typically this effect is produced by keeping the melody in the middle register, with accompanying arpeggios in the treble and bass registers.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Instruments can have their tone muted with wood, rubber, metal, or plastic devices (for string instruments, mutes are clipped to the bridge; for brass instruments, mutes are inserted in the bell), or parts of the body (guitar; French Horn), or fabric (clarinet; timpani), among other means. In piano music (notably in Beethoven's Moonlight Sonata ...
That means they refer to a group of notes around the marked note, rather than indicating that the note itself is necessarily an accidental. For example, when a semitone relationship is indicated between F and G, either by placing a mi-sign ( ♮ ) on F or a fa-sign ( ♭ ) on G, only the context can determine whether this means, in modern terms ...
prepared piano, i.e. introducing foreign objects into the workings of the piano to change the sound quality; string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials
Another example being The art of piano playing: a scientific approach by George A. Kochevitsky, who explains some of the fundamentals in teaching the piano. In his chapter on Progressive ideas in nineteenth-century teaching he explains some of Chopin's idea's (see above), there is a mention of five-finger exercises.
the constraints of playing technique, such as length of breath, possible fingerings, or the average player's stamina; the relative difficulty of particular music on that instrument (for example, repeated notes are much easier to play on the violin than on the piano ; while trills are relatively easy on the flute , but extremely difficult on the ...