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Elizabethan music experienced a shift in popularity from sacred to secular music and the rise of instrumental music. Professional musicians were employed by the Church of England, the nobility, and the rising middle-class. Elizabeth I was fond of music and played the lute and virginal, sang, and even claimed to have composed dance music.
Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature.In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first ...
English Renaissance music kept in touch with continental developments far more than visual art, and managed to survive the Reformation relatively successfully, though William Byrd (c.1539/40 or 1543 – 1623) and other major figures were Catholic. The Elizabethan madrigal was distinct from, but related to, the Italian tradition.
The Poetry of Sir Thomas Wyatt: A Selection and a Study (1929) Shakespeare's Last Plays (1938) The Personal Heresy: A Controversy with C. S. Lewis (1939) The Elizabethan World Picture (Chatto & Windus 1943, Penguin 1963) Shakespeare's History Plays (1944) Milton (1946) The Miltonic Setting: Past and Present (1947)
A more dangerous attack came from Joseph Ritson, whose pamphlet Observations on the Three First Volumes of the History of English Poetry, bitterly tore into Warton for the many mistranscriptions, misinterpretations, and errors of fact that his book, as the very first attempt to map the Middle English world, inevitably contained. [16]
Composers of the lute song usually composed other forms of music as well such as madrigals, chansons, and consort songs. The consort song, popular in England, is considered to be closely related to the lute song. This was an earlier strophic form of music that was for a solo voice accompanied by a small group of string instruments. [1]
The introduction and adaptation of themes, models and verse forms from other European traditions and classical literature, the Elizabethan song tradition, the emergence of a courtly poetry often centred around the figure of the monarch and the growth of a verse-based drama are among the most important of these developments.
The Elizabethan version of the Book of Common Prayer of the Church of England, which remains in use until the mid-17th century and becomes the first English Prayer Book in America; Jorge de Montemayor – Diana; Pavao Skalić – Encyclopediae seu orbis disciplinarum tam sacrarum quam profanarum epistemon; 1560 Jacques Grévin – Jules César