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"Full Moon and Empty Arms" is a 1945 popular song by Buddy Kaye and Ted Mossman, based on Sergei Rachmaninoff's Piano Concerto No. 2. [ 1 ] The best-known recording of the song was made by Frank Sinatra in 1945 [ 2 ] and reached No. 17 in the Billboard charts.
"Blue Moon" is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Early recordings included those by Connee Boswell and by Al Bowlly in 1935. The song was a hit twice in 1949, with successful recordings in the U.S. by Billy Eckstine and Mel Tormé .
"Time for the Moon Night" (Korean: 밤; RR: Bam; Lit.: "Night") is a song recorded by South Korean girl group GFriend for their sixth extended play of the same name. The song was released by Source Music on April 30, 2018. It is the first and only song to achieve a grandslam in 2018, winning all of the six music program trophies consecutively ...
It proved so popular, Gibbard recruited other musicians to make a full band, which would go on to record Something About Airplanes, the band's debut studio album. You Can Play These Songs with Chords was expanded with ten more songs and re-released on October 22, 2002, through Barsuk Records on the heels of the success of The Photo Album.
Lennie Tristano wrote the contrafact "Lennie-bird" over the chord changes, and Miles Davis/Chuck Wayne's "Solar" is also based on part of the chord structure. [48] Coleman Hawkins' tune "Bean At Met" is also based on the changes of How High The Moon; this tune starts with simple riffs on the measures 1 to 8 and 17 to 24.
"Monkberry Moon Delight" is in the key of C minor. [3] McCartney's vocals are accompanied by a chord progression consisting of Cm, Gm7, and G7 chords (i–v7–V7). [3] In the chorus, which features Linda in a more active role on vocals, her and McCartney's singing is supported by Cm and Fm chords. [3]
"Ornithology" is a contrafact – a newly created melody written over the chord progression of another song, in this case the standard "How High the Moon". [2] It remains one of the most popular and frequently performed bebop tunes.
For subdominant chords, in the key of C major, in the chord progression C major/F major/G7/C major (a simple I /IV/V7/I progression), the notes of the subdominant chord, F major, are "F, A, and C". As such, a performer or arranger who wished to add variety to the song could try using a chord substitution for a repetition of this progression.