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"Full Moon" (Korean: 보름달; RR: Boreumdal) is a song recorded by South Korean singer Sunmi, featuring rapper Lena, [1] for her first EP Full Moon. Written and produced by Brave Brothers , the song was released on February 17, 2014, by JYP Entertainment as the lead single from the EP.
Full Moon is the eleventh studio album by Charlie Daniels and the eighth as the Charlie Daniels Band, released on July 18, 1980. It produced two hit singles for the band, "In America" and "The Legend of Wooley Swamp". The group dedicated the album to Tommy Caldwell, who had died on April 28, 1980.
Full Moon is a 1986 album by Irish singer/songwriter Paul Brady, his first live album. It was recorded live at The Half Moon, Putney , London, UK on Friday 6 April 1984. [ 1 ]
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
"Ornithology" is a contrafact – a newly created melody written over the chord progression of another song, in this case the standard "How High the Moon". [2] It remains one of the most popular and frequently performed bebop tunes.
"Blue Moon" is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Early recordings included those by Connee Boswell and by Al Bowlly in 1935. The song was a hit twice in 1949, with successful recordings in the U.S. by Billy Eckstine and Mel Tormé .
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in