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The name likely specifically stems from the Proto-Germanic language elements *grīsaz, "grey", and *hildiz, meaning "battle" (compare modern German grau and Held), thus literally "gray battle-maid". [1] [2] As a figure in European folklore, Griselda is noted for her patience and obedience and has been depicted in works of art, literature and opera.
Grey (more frequent British English) or gray (more frequent American English) [2] is an intermediate color between black and white. It is a neutral or achromatic color, meaning that it has no chroma and therefore no hue. [3] It is the color of a cloud-covered sky, of ash, and of lead. [4]
Pietra serena was very popular in Italian Renaissance architecture, and because of this the quarries where the stone was found were exploited.Numerous quarries surrounding the Florentine region of Italy have been found both under and above ground, and each quarry was distinct in the variety of pietra serena formed there due to the differing style of rock formation.
When discussing Italian art, the term sometimes is used to mean painted images in monochrome or two colours, more generally known in English by the French equivalent, grisaille. The term broadened in meaning early on to cover all strong contrasts in illumination between light and dark areas in art, which is now the primary meaning.
Hans Memling wing, with donor portrait in colour below grisaille Madonna imitating sculpture. Giotto used grisaille in the lower registers of his frescoes in the Scrovegni Chapel in Padua (c. 1304) and Robert Campin, Jan van Eyck and their successors painted grisaille figures on the outsides of the wings of triptychs, including the Ghent Altarpiece.
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A relic of the original meaning 'dusky, dark brown' survives in the Irish term daoine gorma 'Black people'. Irish language color wheel, with notes on their usage. In Old and Middle Irish, like in Welsh, glas was a blanket term for colors ranging from green to blue to various shades of gray (e.g., the glas of a sword, the glas of stone).
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