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Oberek (version II) for string orchestra (1955) Suite in the Old Style for orchestra (1957) Seven Folk Songs for voice and piano (1957) Small Sonata for piano (1958) Small Symphony for piano, strings and percussion (1959) Song of the White House, cantata for mixed choir, 2 pianos and percussion (1959) Songs of Spring (version I) for female or ...
Jerusalem Baroque Orchestra: baroque orchestra (music director: David Shemer) Accademia Daniel: baroque chamber group; Ensemble PHOENIX on period instruments: broad ensemble performing from Middle Ages to Early Romantic music on period instruments, working since 1998 (conductor & musical director Myrna Herzog) [1] [2]
The Classical Period was an era of classical music between roughly 1750 and 1820. [1]The classical period falls between the Baroque and Romantic periods. [2] Classical music has a lighter, clearer texture than Baroque music but a more varying use of musical form, which is, in simpler terms, the rhythm and organization of any given piece of music.
"We Five Kings" (Instrumental) – 3:32 "Life Is a Long Song" – 3:34 "In the Grip of Stronger Stuff" (Instrumental) – 3:02 "Wond'ring Aloud" – 2:11 "Griminelli's Lament" (Instrumental) – 3:10 "Cheap Day Return" – 1:27 "Mother Goose" – 5:46 "Bourée" (Instrumental) (J. S. Bach arr. Jethro Tull)" – 5:17 "Boris Dancing" (Instrumental ...
"Stockholm" is an instrumental composition released by Lawrence Welk and His Orchestra in 1964. The single spent 2 weeks on the Billboard Hot 100 chart, peaking at No. 91. [1] ...
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios, Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [3]
A music video was made for this track, and can be found on the DVD, Elements – The Best of Mike Oldfield. Shot in Oldfield's Througham studio, it shows four female folk dancers who dance barefoot around the studio, while Oldfield is seen playing various instruments.
An example of a single long song text is found in Sibelius' tone poem Luonnotar. [5] Other examples include Grieg's Den Bergtekne, op. 32. Hugo Wolf scored twenty-four of his songs for voice and orchestra, including Prometheus. Max Reger wrote many songs but only one orchestral song, An die Hoffnung (To Hope) on a poem by Hölderlin.