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Signac wrote several important works on the theory of art, among them, From Eugène Delacroix to Neo-Impressionism, first published in serial form in 1898. It is an important history of color and explanation of neo-impressionist technique. It also discusses Johan Barthold Jongkind (1819–1891). Signac also authored several introductions to the ...
Lucien Pissarro, Pastoral scene, 1901 Lucien Pissarro (20 February 1863 – 10 July 1944) was a French landscape painter, printmaker, wood engraver, designer, and printer of fine books.
Landscape at Auvers in the Rain is an oil painting on canvas by the Dutch Post-Impressionist painter Vincent van Gogh.. Painted in July 1890, and completed just three days before his death, it depicts a landscape at Auvers-sur-Oise, where van Gogh spent the last 70 days of his life. [2]
Fry used the term when he organized the 1910 exhibition Manet and Post-Impressionism. Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colours, thick application of paint, distinctive brush strokes, and real-life subject matter, but they were more inclined to emphasize geometric forms, to ...
Camille Pissarro is a pivotal character in the historical fiction novels, The Dream Collector, Books I & II by R.w. Meek, depicting his major role among the Impressionists and his open-mindedness toward the Post-Impressionist art of George Seurat, Paul Gauguin and Vincent van Gogh. [33] [34]
Édouard Manet (UK: / ˈ m æ n eɪ /, US: / m æ ˈ n eɪ, m ə ˈ-/; [1] [2] French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Works in Oil and Pastel by the Impressionists of Paris, American Art Association, New York, April and May 1886. Organised by Paul Durand-Ruel. Impressionist exhibition, Paris, 15 May–15 June 1886 Un dimanche après-midi à l'Île de la Grande Jatte shown for the first time. Salon des Indépendants, Paris, 21 August–21 September 1886
Hokusai also influenced the Impressionism movement, with themes echoing his work appearing in the work of Claude Monet and Pierre-Auguste Renoir, as well as Art Nouveau, or Jugendstil in Germany. His woodcuts were collected by many European artists, including Degas, Gauguin, Klimt, Franz Marc, August Macke, Édouard Manet, and van Gogh. [43]