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Etruscan vase painting. A youth mounted on a dolphin and playing the flute; stamnos, circa 360/340 BC. Etruscan vase painting was produced from the 7th through the 4th centuries BC, and is a major element in Etruscan art. It was strongly influenced by Greek vase painting, and followed the main trends in style over the period.
Etruscan tombs were heavily looted from early on, initially for precious metals. From the Renaissance onwards Etruscan objects, especially painted vases and sarcophagi, were keenly collected. Many were exported before this was forbidden, and most major museum collections of classical art around the world have good selections.
A Caeretan hydria is a type of ancient Greek painted vase, belonging to the black-figure style . Caeretan hydria are a particularly colourful type of Greek vase painting. [ 1] Their geographic origin is disputed by scholars, but in recent years the view that they were produced by two potter-painters who had emigrated from East Greece to Caere ...
It is a red-figure vase made of terracotta and attributed to the painter of the Berlin Hydria. [4] The vase is from the region of Attika and is 21.9375 in (55.8) cm high and 22.9375 in (58.3) cm in diameter. [4] The figures and poses seen are representative of the time in which it was made, evoking a sense of pathos and showing motion. The ...
White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
The Euphronios Krater stands 45.7 cm (18 inches) in height and has a diameter of 55.1 cm (21.7 inches). It can hold about 45 L (12 gallons). The style of the vase is red-figure pottery, in which figure outlines, details, and the background are painted with an opaque black slip while the figures themselves are left in the color of the unpainted terracotta ceramic clay.
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), [1] it has exerted a disproportionately large influence on our understanding of Greek society.
Asteas (active between 350 and 320 BC in Paestum, Southern Italy) was one of the more active ancient Greek vase painters in Magna Graecia, practicing the red-figure style. He managed a large workshop, in which above all hydriai and kraters were painted. He painted mostly mythological and theatrical scenes. He is one of the few vase painters of ...