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Liebestraum No. 3 in A-flat major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves ...
Free scores by Walter Morse Rummel at the International Music Score Library Project (IMSLP) "Walter Rummel plays Liszt Liebestraum no. 3 (1942 rec.)". YouTube. pianopera. August 12, 2011. "Walter Rummel plays Liszt Legend No.2 St. Francis of Paolo Walking on the Waves". YouTube. hotuttoio69. April 28, 2012. (Radio Suisse Romande,1948)
Franz Liszt, after a painting of 1856, by Wilhelm von Kaulbach. Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding.
"O lieb, so lang du lieben kannst" is an 1829 poem by the 19th-century German writer Ferdinand Freiligrath.Hungarian composer Franz Liszt set the first four stanzas in 1843 as a lied for soprano voice and piano, S. 298, and later adapted it into the third of his Liebesträume (Dreams of Love), S. 541.
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Liszt began transcribing this Consolation for the new sostenuto pedal and in a letter to Steinway he wrote: In relation to the use of your welcome tone-sustaining pedal I inclose two examples: Danse des Sylphes, by Berlioz, and No. 3 of my Consolations. I have today noted down only the introductory bars of both pieces, with this proviso, that ...
Liszt's composing of music from existing music, being taken as such, was nothing new. For several centuries many of the most prominent composers, among them J. S. Bach, Mozart and Beethoven, had done it before him. An example from Liszt's time is Schumann. He composed his Paganini Studies, Opp. 3 and 10.
Pesce, Dolores, "Liszt's sacred choral music" Howard, Leslie, Notes for Hyperion CDA66371/2, Liszt at the Opera I, Leslie Howard, piano. Howard, Leslie, Notes for Hyperion CDA66811/2, Liszt Dances and Marches, Leslie Howard, piano. Le Van, Eric, Notes for BMG-Arte Nova 74321 76809 2/ Oehms Classics OC 246. Complete Works for Cello and Piano.