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# of chords Quality 50s progression: I–vi–IV–V: 4: Major ... (Type I: Two common tones, two note moves by half step motion) V7–III7: 2: Major Montgomery–Ward
What Scottish and older Irish English have in common is rhoticity without r-colored vowels, meaning that /r/ is used at the end of a syllable. Words and names with historic /ɛːr/ are spelled ear as in earn , earth or pearl and include the function words her and were , in are, air, eir, ayer which have stayed distinct (see both the meet–meat ...
The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths, the most suitable chord to precede the I chord is a V chord.
The three short syllables in reliquiās do not fit into dactylic hexameter because of the dactyl's limit of two short syllables so the first syllable is lengthened by adding another l. However, the pronunciation was often not written with double ll , and may have been the normal way of pronouncing a word starting in rel- rather than a poetic ...
In words of two syllables, stress falls on the first syllable of the word (the penult, or second from the end): e.g., bó.nus, cír.cus. In words of three or more syllables, stress falls either on the penult or the antepenult (third from the end), according to these criteria:
three forms: there is one back vowel form and two front vowel forms; one for words whose last vowel is rounded front vowel and one for words whose last vowel is not rounded front vowel (e.g. -hoz/-hez/-höz) four forms: there are two back vowel forms and two front vowel forms (e.g. -ot/-at/-et/-öt or simply -t, if the last sound is a vowel)
Also note a combination digraph and cluster as seen in length with two digraphs ng , th representing a cluster of two consonants: /ŋθ/ (although it may be pronounced /ŋkθ/ instead, as ng followed by a voiceless consonant in the same syllable often does); lights with a silent digraph gh followed by a cluster t , s : /ts/; and compound words ...
the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)