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Sonnet 52 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Structure
Short vowels lengthen in stressed open syllables. On account of the above, the vowel inventory changes from /iː i eː e a aː o oː u uː/ to /i ɪ e ɛ a ɔ o ʊ u/, with pre-existing differences in vowel quality achieving phonemic status and with no distinction between original /a/ and /aː/. Additionally: Unstressed /ɛ/ and /ɔ/ merge into ...
Sonnet 132 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
However, even when pronounced as two syllables, -eus counts as a single syllable for the purpose of determining vowel length – that is, the syllable preceding the -eus ending is considered the penult, just as happens in derivatives ending in -ian – though the placement of the stress shifts. E.g.
In Japanese, non-nasal gemination (sokuon) is denoted by placing the "small" variant of the syllable Tsu (っ or ッ) between two syllables, where the end syllable must begin with a consonant. For nasal gemination, precede the syllable with the letter for mora N (ん or ン). The script of these symbols must match with the surrounding syllables.
Counting left to right, in a sequence of two or more open syllables containing short vowels, the odd-numbered syllable is weak and the even-numbered syllable is strong. [46] As well, certain syllables containing short vowels (frequently such syllables occur in reduplicated syllables and loan words) must exceptionally be marked as strong.
The meter demands a few variant pronunciations: line 10's "wondering" functions as two syllables, and line 12's "continual" as three; line 11's "records" (although it is a noun, not a verb) is to be stressed on the second syllable. [2]
The Middle English merger of the vowels with the spellings our and ower affects all modern varieties of English and causes words like sour and hour, which originally had one syllable, to have two syllables and so to rhyme with power. In accents that lack the merger, sour has one syllable, and power has two syllables.